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New portrait photos

I added 2 new albums to the gallery with portrait photos of Thomasin. Click on the gallery links below to see all new photos.





Harpers Bazaar: Thomasin McKenzie on collaboration, career advice and the power of transformation




“Collaboration makes me really happy,” Thomasin McKenzie tells us. “I just finished a production and the relationship I had with the director and the entire crew and cast was so joyful and loving and collaborative. That made me so happy because it’s what I love the most.”

We’re meeting the New Zealand actress in London as she prepares to promote her lead role in the upcoming Edgar Wright thriller, Last Night in Soho – so where more fitting for our interview and shoot than that same energetic London neighbourhood? After effortlessly waltzing her way through a series of photos at the Parisian restaurant Brasserie Zédel, we’re now comfortably ensconced in the luxury of the Hotel Café Royal, one of Soho’s longest-established mainstays.

McKenzie is arguably best-known for her supporting roles in the award-winning Jojo Rabbit and the action-packed True History of the Kelly Gang, as well as her breakout appearance in in Debra Granik’s 2018 drama Leave No Trace, for which she received much critical acclaim. It’s her quietly captivating, chameleon-like qualities as an actor which allows for her to take on such varying roles with an ease that belies her 21 years.

“The best career advice I’ve ever received is a piece of advice from my mum,” she explains. “It was life advice, but now I take it as career advice, and that is to be like water in a stream – flowing freely and easily past obstacles or ‘rocks’ – and just not being too taken aback or stopped in your tracks by things, but being able to move around them and continue on with your life.”

That concept of fluidity and flexibility is clearly something that appeals to McKenzie, who describes her idea of self-care as “stillness, and not feeling the pressure of time”, and says that her ideal superpower would be “the ability to transform into absolutely anything”.

“With that power, you basically have all the powers,” she points out. “You could be a bird, you could be a fish, you could be a chameleon, you could be an elf. I could live out my dream of being a fairy.”

So, with Last Night in Soho garnering huge levels of press and attention ahead of its release, putting her firmly on the map as an in-demand leading lady, what would advice would she give her younger self, who was just starting out as an emerging teenage actress?

“Just not to care so much, and to be gentler on myself,” she says, thoughtfully. “Because life is joyful and not everything is such a big deal. You’ll survive.”

Watch our full video interview with McKenzie above, in which she reveals what makes her happiest, her unusual party trick, the most luxurious purchases she’s ever made, and the job that changed her life.

Source: Harpersbazaar.com





Stuff: Thomasin McKenzie charms Americans on Stephen Colbert’s The Late Show

Making her talk-show debut on Stephen Colbert’s The Late Show, Wellington actor Thomasin McKenzie kept it real.
She joked about the exotic offerings of the US, mainly megastore Target, and questioned Colbert about why he didn’t visit her during his last trip to Wellington.
McKenzie was on The Late Show ahead of the release of Last Night in Soho, which sees her star alongside The Queen’s Gambit’s Anya Taylor-Joy in a glamorous psychological horror.
The 21-year-old actor missed the film’s red carpet debut at the Venice Film Festival earlier this year due to the pandemic, but made it for the US launch this week.
She attended the Los Angeles premiere on Monday (local time), at a star-studded and sparkly launch party at the Academy Museum of Motion Pictures.
McKenzie played a somewhat naive and wide-eyed fashion student in Last Night in Soho, a highly anticipated horror film from director Edgar Wright, which had been years in the making.
She made waves in Taika Waititi’s Jojo Rabbit, but had also starred in New Zealand-shot productions including The Hobbit and Shortland Street. The past few years have been huge for the young actor, with four productions coming out in the past year – The Justice of Bunny King, Old, The Power of the Dog and, of course, Last Night in Soho.

During her appearance on The Late Show, McKenzie touched on “tall poppy syndrome” in New Zealand, saying it was a reason to keep grounded.
”You don’t get a chance to get too big for your boots, there’s something called ‘tall poppy syndrome’ – people in New Zealand don’t tolerate people being a…, basically,” she said.
She also joked about being excited to be in the US, and being able to visit places that weren’t available back in Wellington – like Target.
“My little sister is 14 and she’s TikTok obsessed, and when she found out I would be coming to America she didn’t say ‘oh I’m going to miss you’, she said ‘OK, can you go to Target for me’,” McKenzie said.
However, she had some sad news for her sister: she was unlikely to be visiting Target. “It’s not for me,” she said. “I get overwhelmed very easily, even going to the supermarket it’s too much, so I think Target would just be a little bit too far.”
McKenzie appeared to win new fans after making her talk-show debut, with comments flooding into The Late Show in praise of her genuine, straight-talking and charming interview.
Many commenters wondered if it really was her first time on a talk show, saying she played it incredibly cool.

Source: Stuff.co.nz





Evening Standard Interview

‘I want to keep a sense of mystery’—Thomasin McKenzie on trying hard to stay out of the spotlight

As Last Night in Soho was introduced to the world, its star was happily at home with her family on the other side of the planet. And, Terri White discovers, that suited the actor – who doesn’t give a damn about the fame game – just fine

Thomasin McKenzie suddenly bursts into laughter. We’re only a few minutes into our conversation, but the sound of her mum and sister singing ‘Mamma Mia’ in another room is too much for the actor. It’s the house she has been in for three months solidly, the one in which the 21-year-old experienced the biggest moment of her career to date just weeks before.

It should have been the event that announced to the world that Thomasin McKenzie — as the star of British director Edgar Wright’s psychological thriller-meets-horror, Last Night in Soho — had most certainly arrived. But instead of standing on the red carpet at the Venice Film Festival — cameras flashing, cheeks aching, shoes pinching — McKenzie sat in her parents’ home in Wellington, New Zealand, some 11,500 miles away as the film premiered without her.

Because even as Europe opened up and everyone flew (or sailed) into Italy, McKenzie’s hometown remained in lockdown. ‘I would have really loved to be celebrating Last Night in Soho on such a grand stage,’ she says, just prior to the singing. ‘But I loved seeing the photos and the interviews. It looked like the whole team was feeling a lot of love, which made me happy.’ But did she feel sad: to sit and watch it happen without her? ‘Yeah, definitely,’ she nods. ‘The main thing for me is that I felt quite guilty to not fulfil my commitment to the film’.

Though McKenzie understandably describes watching on as ‘bittersweet’, it’s clear that being at home for an extended period — as she has been since wrapping on the BBC adaptation of the Kate Atkinson novel Life After Life in mid-July — is a rare treat for the actor. And as also becomes clear when we talk, the life she lives at home is somehow even more of a rarity.

The ‘Mamma Mia’ singing is a fairly commonplace low-key family activity. McKenzie talks about a TikTok challenge she did the night before with her brother and sister. Of her love of reading and her dog, Totoro, (the name inspired by her favourite director, Hayao Miyazaki, and his film My Neighbour Totoro). She says one of her favourite things in the world is jumping in the back seat of her parents’ car as they run errands. She smiles: ‘We sing a lot of Moana, a lot of Disney hits.’

It’s this close family and that quiet life to which McKenzie comes home after finishing each job. She is painfully aware that the next time she leaves it will be for a long while, likely until the end of next year. She thinks about how her siblings, particularly her younger sister, might change in her absence. ‘I came back and she’s grown up — she looks completely different, she’s taller than me now,’ she says of her return in the summer. ‘So, I need to take this time in before she changes again.’

It was partly the strength of family ties that turned McKenzie on to Last Night in Soho. The film opens with teenager Ellie saying goodbye to her grandmother as she prepares to leave her hometown for fashion college in London. ‘I’ve lived with my grandma my entire life,’ McKenzie says with obvious affection for the woman who also makes guest appearances on her Instagram. ‘My grandma lives downstairs, and my bedroom is right next to hers, so she’s played a huge role in my life. And so, I wanted to do this film as a tribute to her in a way.’

But that’s not the only affinity McKenzie feels with Ellie, who arrives in a bright, Technicolor London with stars firmly imprinted on her eyes. ‘Making her way to the big city with big hopes and dreams, I related to that,’ she affirms, specifically referring to life after Leave No Trace, the critically acclaimed 2018 indie film that announced McKenzie to the movie industry, if not quite the entire world. ‘I [was] similar to Ellie in arriving in a big, exciting, crazy, loud place and trying to get my bearings a little bit in the world’.

You sense that those bearings were firmly grasped during Soho’s shoot in the summer of 2019, a formative experience for the actor who was still only 19 years old. McKenzie didn’t know London well, having been once before for just two days. She describes that extended period as a ‘pretty brutal entrance’ before correcting herself: ‘Not brutal, an intense entrance. It was three weeks of night shoots — running, sprinting terrified through the Soho streets — and members of the general public looking at me like I’m a mad woman, dealing with drunk people in the middle of the night refusing to get out of the shot…’

As much as the film is a headfirst dive into the dark underbelly of Soho that’s revealed at night, the actor didn’t immerse herself in the nightlife of the city, saying she not ‘a massive pub-crawler type person’. But that doesn’t mean she entirely escaped the rough edges of the city, describing seeing ‘a man being pinned to the pavement by two big bodyguards, and he was screaming as if he was possessed’, one night while walking back to the Greek Street apartment where she was staying during rehearsals. ‘It genuinely looked like he was about to explode into the Hulk or something,’ she says with wide eyes. ‘It was really scary; that was my first experience of the London nightlife.’

Soho is just one of four McKenzie films out this year. There were three in 2019. One in 2020. This is a young woman who has grafted since working as a child actor for pocket money. She acknowledges the relentless pace of her career prior to the pandemic, speaking of ‘two solid years that were work, work, work’. And while McKenzie might speak with the thoughtfulness and maturity of a woman twice her age, she is only just out of her teens.

‘I was quite young and still figuring out who I was, and who I wasn’t really,’ she says of that period. ‘I wasn’t staying very present or documenting my experience or reflecting on everything I was going through, so lockdown was a good opportunity to slow down and take stock of where I am. And I realised, it’s been a crazy couple of years.’

You could argue that this perspective and self-reflection is unnecessary at such an early point in her life and career, but it’s something McKenzie seeks, maybe even needs to make sense of her place in the world. ‘Now I’m learning and trying really hard — even though it’s really stressful at times — to stop and take a beat and put things into perspective because sometimes it gets a bit much,’ she says before stressing: ‘But I’m incredibly, incredibly lucky to be doing what I’m doing.’

Even with her family in the business (her mother and grandmother are actors, her father a filmmaker), this path wasn’t a given. In fact, McKenzie didn’t much fancy being in the same industry. So much so that when her grandmother asked what she wanted to be, McKenzie said, ‘Zookeeper, vet, something to do with animals. And at the end I said, “But I definitely do not want to be an actor.”’

Why? For the simple, very relatable reason that most of us wouldn’t want to simply tread, unthinking, in our parents’ footsteps. ‘It can really put you off when people say you’re doing this because of them,’ McKenzie says. ‘Everyone wants to establish themselves in their own right and I definitely felt that for a while, but maybe that’s why I did so much stuff, did so many films, so many projects, because I really wanted to establish that I work hard for this. And that I’m not taking it for granted and that I’m not only doing it because my family [are] doing it’.

As it turns out, McKenzie was unable to resist the pull of the job — landing her first paid gig at nine — saying, ‘I fell into it I suppose’. A beat and she considers a little more: ‘I really do think I’m made for this job. When I’m acting is when I feel my happiest and most creative and when I feel meaningful.’

Acting went from being a means to an end to a calling for McKenzie when she was 13 and played real-life sexual abuse survivor Louise Nicholas in the film Consent. ‘It definitely was a turning point,’ she says. ‘It’s not just pretending, it’s a really meaningful job. It’s a big responsibility to be able to play with people’s emotions or make them feel something. And you can really do great things through this job.’

Alongside the meaning that McKenzie speaks of — the creativity and profundity — there also comes good old-fashioned fame. Has that been scary for the actor? Everyone suddenly knowing her name after Jojo Rabbit and Leave No Trace? ‘It wasn’t scary because even now I don’t feel like everybody knows my name,’ she insists. ‘I think maybe it’s because I live so far away from the madness of the Hollywood world that I just feel very separate from it. I can go out and no one recognises me, nobody knows my name.’

Maybe so, but fame must surely now be an unavoidable consequence of doing a job she loves — particularly with Last Night in Soho set to propel her to new levels of global recognition. ‘It’s unavoidable to have people paying attention, I suppose,’ she says. ‘I guess it just depends how you react to that attention. I’m not the kind of person who’s really going to feed into that level of fame. I’m quite a private person; I’m not a super-public figure, that’s not where I feel comfortable. And I don’t want to be so well known that nothing I do is going to surprise anybody. I want to keep a sense of mystery so that when people see stuff I do they can actually be reacting to the character and not be reacting to me.’

The next character that McKenzie will dissolve inside is Kerri Strug, the (again real-life) American gymnast she’ll play in Olivia Wilde’s Perfect. Shooting is due to start next March for what she describes as the ‘biggest physical challenge in a role I’ve taken on’. After that, there’s a film in New York that she says has ‘not been announced so I can’t tell you, if I told you I’d have to kill you…’ she bursts into laughter.

‘Not really, I’m not that kind of person!’ She’s not. She’s really, really not. In fact, Thomasin McKenzie is probably the least likely person to kill you, ever. But she will laugh with you. And if you’re really lucky, she might just sing ‘Mamma Mia’ with you.

Source: Standard.co.uk





Esquire: Thomasin McKenzie Goes Big

The ascendant actress discusses entering the dark side of 1960s Soho in Edgar Wright’s new chiller


Rachel Louise Brown for Esquire

The actress Thomasin McKenzie is an introverted performer, imbuing her characters with a quiet intensity rather than fighting for the camera’s attention. “It takes a lot of effort from me to be‘ big’,” she tells Esquire over Zoom, from her family home in Wellington, New Zealand. “Even when I feel like I’m doing a massive performance, I watch the film and it’s so much smaller than it felt in my head.”

For her next role, the 21-year-old, who is endearingly sweet yet preternaturally sage, in the way actors who have worked alongside adults from a young age sometimes are, had no choice: she had to go big. McKenzie leads the cast of the flamboyant horror film Last Night in Soho, a technicolour extravaganza from Edgar Wright, the treasured British director behind Shaun of the Dead and Baby Driver. The actress plays Eloise, a goofy aspiring fashion designer who dreams of moving to London. Once there, she is transported to the Swinging Sixties where she encounters Sandy (played by the similarly elfin actress Anya Taylor-Joy, who screams, sobs and smokes with the same vigour as she did in the Netflix series The Queen’s Gambit), only to find the fluorescent lights and glamour of the city are a garish nightmare from up close.

McKenzie is the daughter of an actress, Miranda Harcourt, and a director, Stuart McKenzie, and the granddaughter of another actress, Dame Kate Harcourt. Her early years in New Zealand were spent running around the acting school where her mother taught. A savvy nine-year-old, she initially entered the family business as a side-hustle, performing for pocket money so that she could buy new toys. “I used to collect erasers, which are rubbers but I call them erasers because in America rubbers are condoms and it’s not a good look to say you’re collecting condoms,” she laughs. “I was really obsessed with Sylvanian Families, too.”

McKenzie’s breakout role came in Debra Granik’s 2018 Leave No Trace, about a PTSD-afflicted father who lives off-grid in the woods with his daughter, a part McKenzie fit so perfectly that, watching the film, it feels as though Granik had come across McKenzie by searching the forest before they started filming. The director pulled off the same trick once before, plucking a teenaged Jennifer Lawrence from obscurity for the revered Winter’s Bone. McKenzie’s performance in Leave No Trace earned her comparisons to Lawrence, a strange thing for an 18-year-old who had grown up on The Hunger Games to contend with. Admired performances in Taika Waititi’s Jojo Rabbit and M Night Shyamalan’s Old followed, and now her slate of upcoming projects features some of the biggest names in filmmaking.

McKenzie was shooting her compatriot Jane Campion’s The Power of the Dog, about a pair of warring brothers on a ranch in Montana, when the pandemic halted production in early 2020. She went back to stay with her family in New Zealand, settling into a bubble far away from the noise she had grown accustomed to. “After Leave No Trace it was hard to take stock,” she says.“The lockdown was a great moment to pause and reassess what kind of stuff I wanted to do. I don’t do films because of how big they might be, I’m just living every day.”

Last Night in Soho is Wright’s love letter to London’s most louche and libidinous enclave, which dazzled him as a teenage boy from Dorset. The closing credits feature shots of the city captured during the pandemic, when the streets were terrifyingly empty and the pubs were —more terrifyingly still — shuttered. “It paints a good picture of what Soho is: the good and the bad,” McKenzie says of the film. Wright issued a list of 1960s films for her to make her way through to get a sense of the tone he wanted, with horror classics like Polanski’s Repulsion and Rosemary’s Baby, as well as British kitchen-sink dramas Poor Cow and A Taste of Honey all featuring. “I’m not naturally a horror watcher,” she says. “He had [Dario Argento’s terrifying 1977 film] Suspiria on the list but I couldn’t do it. It didn’t sound like my cup of tea.”

Last Night in Soho is in cinemas 31 Oct

Source: Esquire.com





More Heroine Magazine photos

Click on the gallery link below to see the photos full size.





Harper’s Bazaar: Thomasin McKenzie Is Wasting No Time

The star of M. Knight Shyamalan’s new thriller, Old, defies the adage that youth is wasted on the young.

Thomasin McKenzie is only 21 years old, but lately she’s been thinking a lot about the passing of time. “I think I’m someone who really struggles to be in the moment,” says the actress, who stars in Old, the new M. Night Shyamalan thriller. Recently, at her father’s urging, McKenzie took up meditation. (Sam Harris’s Waking Up is her favorite guided app.) Working on Old, the story of a family whose tropical island vacation turns terrifying when everyone suddenly begins to age rapidly (their life spans each reduced to a single day), helped put things in perspective too. “It made me think a lot about being present and taking each thing as it comes.”

For McKenzie, time is a recurring theme right now. In Edgar Wright’s Last Night in Soho, a psychological thriller in which she stars opposite Anya Taylor-Joy, due out in October, she plays a young woman who is mysteriously transported back to Swinging London in the 1960s. In Life After Life, the BBC’s upcoming four-part adaptation of Kate Atkinson’s novel of the same name, McKenzie’s character dies and is reborn several times over the course of six decades. “Maybe I’m just supposed to be thinking about time these days,” she muses. “Maybe the universe is trying to tell me something.”

McKenzie auditioned with Shyamalan for her role in Old over Zoom. It was the early days of the pandemic, and she was hunkered down in her native Wellington, New Zealand. “It was quite awkward,” she recalls. “But obviously it went good enough for him.” McKenzie then had two hours to read the script in its entirety as Shyamalan’s projects are famously shrouded in secrecy. “It’s thought-provoking and unlike anything I’d ever read or seen before,” she says. And while a Zoom audition may have been new territory for McKenzie, acting is in her blood: Her mom is actor and drama coach Miranda Harcourt, her father is the writer and director Stuart McKenzie, and her maternal grandmother is actor Kate Harcourt. The third of four children, McKenzie grew up on far-flung movie sets around the world, from Philadelphia to Rarotonga in the Cook Islands. “I think if my family weren’t in the film industry, my life would have been completely different,” she says. “It’s really formed who I am as a person.”

McKenzie herself started acting when she was nine, learning through osmosis rather than through any formal training. Initially, though, she wanted nothing to do with the family business. “I knew that it wasn’t as glamorous a job as you might expect from the outside,” she says. “I wanted to be anything else.” It wasn’t until she was 13, when she played a younger version of sexual-abuse survivor and activist Louise Nicholas in the 2014 film Consent, that she saw the power of storytelling to effect change and decided to pursue acting as a career. “It was a really tough role, and that opened my eyes to the fact that through acting, you get a chance to have a voice.”

It was after starring in Debra Granik’s 2018 film Leave No Trace that McKenzie’s career began to take off. (Granik has a reputation as a star-maker; her 2010 drama, Winter’s Bone, featured a then-little-known actress by the name of Jennifer Lawrence.) A string of critically acclaimed projects followed—David Michôd’s The King; Liz Garbus’s Lost Girls; and Taika Waititi’s Oscar-winning Jojo Rabbit among them. McKenzie’s measured performances consistently stand out, subtle—quiet even—yet soulful and impactful.

McKenzie is building her career by studiously choosing projects that have emotional heft and telegraph larger messages. She’s a compulsive over-preparer. “I’m always scrambling to watch the things that they’re talking about, just so that I come off smart or whatever,” she tells me.

Before filming Last Night in Soho, the director, Wright, sent her a list of some 50 films—horror, classic, and cult, mainly—as suggested viewing to add context and reference points to McKenzie’s preparation; she made it through most of them. “Education is still happening, I feel,” she says. “I’m still learning a lot with every single thing I do.”

Source: harpersbazaar.com





Photoshoot outtakes from 2018 & 2019

I added photoshoot outtakes to two albums in the gallery. Click on the gallery links below to see all new photos.





The Hollywood Reporter photoshoot outtakes (2018)

I added new photoshoot outtakes to the gallery taken by Eric Ryan Anderson for The Hollywood Reporter in 2018. Click on the gallery link to see all new photos.






Welcome to Thomasin McKenzie Fan, the latest online resource dedicated to the talented NZ actress Thomasin McKenzie. Thomasin has been in TV shows like "End of Term", "Shortland Street", "Bright Summer Night" and "Lucy Lewis Can't Lose". She has also been in films such as "Leave No Trace", "Jojo Rabbit", "Last Night in Soho", "Old" and "The Justice of Bunny King". This site is online to show our support to the actress Thomasin McKenzie, as well as giving her fans a chance to get the latest news and images.
Site Info
  • Maintained by: Veronique
  • Since: 26 February 2020
  • Layout Photos: Art Streiber & Fabien Kruszelnicki
  • Hosted by: Host4Fans
  • Contact: Email Veronique
Official Thomasin McKenzie Links

Current Projects
Last Night in Soho

Role: Eloise
Release Date: April 2021
When A young girl, passionate about fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it seems, and time seems to fall apart with shady consequences.
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The Justice of Bunny King

Role: Tonyah
Release Date: 2020?
A triumph over adversity tale about women fighting their way back from the bottom of society.
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The Power of the Dog

Role: Unknown
Release Date: 2021 (Netflix)
A pair of brothers who own a large ranch in Montana are pitted against each other when one of them gets married.
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Untitled M. Night Shyamalan Universal Project

Role: Unknown
Release Date: Unknown
More info coming soon.