by admin on July 28th, 2021
The star of M. Knight Shyamalan’s new thriller, Old, defies the adage that youth is wasted on the young.
Thomasin McKenzie is only 21 years old, but lately she’s been thinking a lot about the passing of time. “I think I’m someone who really struggles to be in the moment,” says the actress, who stars in Old, the new M. Night Shyamalan thriller. Recently, at her father’s urging, McKenzie took up meditation. (Sam Harris’s Waking Up is her favorite guided app.) Working on Old, the story of a family whose tropical island vacation turns terrifying when everyone suddenly begins to age rapidly (their life spans each reduced to a single day), helped put things in perspective too. “It made me think a lot about being present and taking each thing as it comes.”
For McKenzie, time is a recurring theme right now. In Edgar Wright’s Last Night in Soho, a psychological thriller in which she stars opposite Anya Taylor-Joy, due out in October, she plays a young woman who is mysteriously transported back to Swinging London in the 1960s. In Life After Life, the BBC’s upcoming four-part adaptation of Kate Atkinson’s novel of the same name, McKenzie’s character dies and is reborn several times over the course of six decades. “Maybe I’m just supposed to be thinking about time these days,” she muses. “Maybe the universe is trying to tell me something.”
McKenzie auditioned with Shyamalan for her role in Old over Zoom. It was the early days of the pandemic, and she was hunkered down in her native Wellington, New Zealand. “It was quite awkward,” she recalls. “But obviously it went good enough for him.” McKenzie then had two hours to read the script in its entirety as Shyamalan’s projects are famously shrouded in secrecy. “It’s thought-provoking and unlike anything I’d ever read or seen before,” she says. And while a Zoom audition may have been new territory for McKenzie, acting is in her blood: Her mom is actor and drama coach Miranda Harcourt, her father is the writer and director Stuart McKenzie, and her maternal grandmother is actor Kate Harcourt. The third of four children, McKenzie grew up on far-flung movie sets around the world, from Philadelphia to Rarotonga in the Cook Islands. “I think if my family weren’t in the film industry, my life would have been completely different,” she says. “It’s really formed who I am as a person.”
McKenzie herself started acting when she was nine, learning through osmosis rather than through any formal training. Initially, though, she wanted nothing to do with the family business. “I knew that it wasn’t as glamorous a job as you might expect from the outside,” she says. “I wanted to be anything else.” It wasn’t until she was 13, when she played a younger version of sexual-abuse survivor and activist Louise Nicholas in the 2014 film Consent, that she saw the power of storytelling to effect change and decided to pursue acting as a career. “It was a really tough role, and that opened my eyes to the fact that through acting, you get a chance to have a voice.”
It was after starring in Debra Granik’s 2018 film Leave No Trace that McKenzie’s career began to take off. (Granik has a reputation as a star-maker; her 2010 drama, Winter’s Bone, featured a then-little-known actress by the name of Jennifer Lawrence.) A string of critically acclaimed projects followed—David Michôd’s The King; Liz Garbus’s Lost Girls; and Taika Waititi’s Oscar-winning Jojo Rabbit among them. McKenzie’s measured performances consistently stand out, subtle—quiet even—yet soulful and impactful.
McKenzie is building her career by studiously choosing projects that have emotional heft and telegraph larger messages. She’s a compulsive over-preparer. “I’m always scrambling to watch the things that they’re talking about, just so that I come off smart or whatever,” she tells me.
Before filming Last Night in Soho, the director, Wright, sent her a list of some 50 films—horror, classic, and cult, mainly—as suggested viewing to add context and reference points to McKenzie’s preparation; she made it through most of them. “Education is still happening, I feel,” she says. “I’m still learning a lot with every single thing I do.”
Source: harpersbazaar.com
by admin on May 20th, 2021
Across a handful of screen roles, Thomasin McKenzie has announced herself as a major new performer to watch – she was captivating in Leave No Trace, formidable in Jojo Rabbit, and now she’s leading a very different kind of Edgar Wright movie in Last Night In Soho. The film marks Wright’s first major move into psychological horror, swapping the Cornetto gags and souped-up action of Scott Pilgrim and Baby Driver for a mind-bending, time-bending, neon-lit trawl through the central London neighbourhood. In the middle of it all is McKenzie’s Eloise, a wannabe fashionista who forges a mysterious connection back to the 1960s and Anya Taylor-Joy’s singer Sandy. Here’s a moody new shot of McKenzie in the film, as seen in Empire’s upcoming issue.
“It’s genuinely something I’ve never seen before,” says McKenzie of Wright’s latest, hinting at plenty of twists in the plot – which remains tightly under wraps for now. “Very unique. I love things where you’re reading a script, and you know where it’s going, and then it just goes in a completely different direction.” And it seems there are surprises in store from Eloise herself too. “She’s almost got kind of a sixth sense,” she teases. “She can feel things that are on another level that most people can’t see or feel.”
Last Night In Soho is written by Wright and 1917’s Krysty Wilson-Cairns, and after a number of lockdown-induced delays we’ll finally see what the seedy streets of Soho have in store on 29 October.
Source: Empireonline.com
by admin on March 3rd, 2021
Kiwi actress Thomasin McKenzie and Miranda Harcourt’s daring new roles
Photography by Victoria Birkinshaw
Thomasin McKenzie is used to walking red carpets in glamorous gowns and starring beside Hollywood greats like Scarlett Johansson, but it’s the simple pleasures in life, like lemony chickpea soup, that keep the young Kiwi actress happy.
Chatting from her family home in Wellington, beside her acting coach mother Miranda Harcourt, 58, Thomasin credits home-made comfort food for getting her through some big days on set.
“For a while, it’s all I wanted, lemony chickpea soup,” grins the blue-eyed beauty, 20, who wowed audiences with her performance as Jewish teen Elsa Korr on Taika Waititi’s satire film Jojo Rabbit.
Soup, the mother-daughter duo agree, really is good for the soul. “As an actress, you tell stories, whether they’re harrowing or comedic, and you’re constantly giving out all this emotion, so at the end of the day, I’m a bit like a zombie,” Thomasin admits. “Coming home to a favourite dinner and support system around me who understand is all I really want.”
Over the past couple of years, former Gloss actress Miranda and her film-maker husband Stuart McKenzie have accompanied their daughter to London, continuing their own projects and exploring art galleries while Thomasin worked.
“We’d home-school our youngest daughter Davida, who is 14 now, and then it’d be like, ‘What can we do for Thomasin when she gets home?’ Stuart is so good at making lemony chickpea soup. We’ve used the recipe so much, the photograph in the book has completely faded!” Miranda laughs.
“After a day on set, Thomasin just needs calm time, the food that makes her feel healthy and happy, and to go to bed.”
Thomasin, smiling, throws a spanner in the works by admitting that she’s getting a little sick of the family favourite.
“What?!” Miranda gasps, her eyes widening behind her black-rimmed glasses. “No!” It’s an overcast day as the Weekly chats with the talented pair from the house they’ve been in for 18 years, where Miranda’s actress mother, Dame Kate Harcourt, 94, lives downstairs.
Lights from streets as far as Porirua, a half hour’s drive from their home, twinkle below the lounge window, which overlooks the ocean.
Thanks to Stuart’s love of art, works fill every wall. A statement piece made from an old painted black filing cabinet, by award-winning Kiwi multi-media artist Merylyn Tweedie, greets guests at the front door.
“We got it when Thomasin and Peter [now 22 and a law student] were babies,” says Miranda. “One day I went outside to look for our car, which had my library books in it, and Stuart told me he’d swapped the car for this sculpture. Well, those books never went back!”
While art talk is fun for Miranda and her daughter, who both attended Wellington’s private Samuel Marsden Collegiate School, there’s something closer to Thomasin’s heart she wants to chat about.
Photography by Victoria Birkinshaw
Since the end of last year, the Leave No Trace star has been an ambassador for So They Can, a New Zealand initiative that provides education to children living in poverty in Kenya and Tanzania. Along with her mother, who went to school with Cass Treadwell, the founder of So They Can, Thomasin is about to embark on its 1HumanRace challenge.
“Throughout March, you have to move 85km in whatever way you choose, and the goal is to raise money for the 85 per cent of girls living in Pokot, Kenya, who are subject to female genital cutting, or forced into child marriage between 9 and 13 years of age,” shares Thomasin, who played Pixie Hannah on Shortland Street in 2016.
“It’s a great thing to do because you’re putting in the work and moving to make a difference, rather than sitting at a computer and making a donation and then forgetting about it.”
The organisation has so far graduated 474 teachers from its Tanzanian Teachers’ College to support the next generation.
For Thomasin, helping those who are less fortunate feels natural. “I don’t want to be the type of person who attaches her name to something but doesn’t actually make the physical effort,” she explains. “With acting, it’s easy to get inside of your own head, so it’s really important to live your life for other people as well, not just selfishly for yourself.”
Thomasin was 13 when she discovered her passion for acting, after appearing as a young Louise Nicholas on the film Consent, and learning she could tell worthy stories on screen.
“What’s important as an actress is to make sure you keep your humanity sharp,” adds Miranda, who is an acting coach for big Hollywood stars.
Acting, Thomasin says, is also an emotional rollercoaster.
“It’s not the glamorous kind of job some people assume it to be. Even though it’s wonderful, it’s a lot deeper than just showing up in front of a camera with some make-up on,” she explains. “There’s a lot of yourself that goes into acting. Like Mum said, a big part is feeding yourself in other ways.
It’s not so healthy just to be focused on acting, when for me, having experiences and passions to draw from keep me grounded and motivated.”
This evening, Thomasin has a session with a dialect coach she met in London while working on Last Night in Soho, which screens in New Zealand this November. “The Kiwi accent is quite harsh, so it’s a bit difficult to break out of that, Thomasin laughs. “There can be such subtle differences, like if there’s one noise that sounds off, it ruins the whole thing! It takes a lot of work to do a good job to get other accents down.”
Photography by Victoria Birkinshaw
Surprisingly, despite her critically acclaimed success, Thomasin has never had any formal acting coaching. “Mum has always been an amazing resource for me. She understands a scene just like that, and how tiny tweaks in the dialogue can change the entire scene,” she enthuses. “Dad’s also the first one I talk to if I’m reading a script because he’s a writer and has amazing instincts around whether a script is good or not.”
Thomasin has wondered whether she’d be acting if it wasn’t for her talented family.
“Mum, Dad and I have quite a unique relationship because obviously they’re my parents, but there’s a business relationship, too. When we travel around the world together for work, we’re often talking about business and ideas, and what we think of a script,” she tells. “I’m really lucky, but it has also meant I’ve always wanted to define myself and figure out why I’m doing this, for my own reasons. I do wonder what else I’d be. Maybe a vet!”
Before she heads overseas again soon, this time without her parents, to work on an unannounced series in London, Thomasin’s making the most of being at home and with friends.
“I’m reading scripts and we’re going through the visa application process, which is always really stressful!” she shares. “It won’t be the first time I’ve travelled alone, though. Late last year I went to the Dominican Republic to film Old.”
Source: nzherald.co.nz
